redheadedfemme | Entries tagged with hugos 2017

The nominees for best fanzine:

Castalia House Blog, edited by Jeffro Johnson

Journey Planet, edited by James Bacon, Chris Garcia, Esther MacCallum-Stewart, Helena Nash, Errick Nunnally, Pádraig Ó Méalóid, Chuck Serface, and Erin Underwood

Lady Business, edited by Clare, Ira, Jodie, KJ, Renay, and Susan

nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry

Rocket Stack Rank, edited by Greg Hullender and Eric Wong

SF Bluestocking, edited by Bridget McKinney

My ballot:

6) Journey Planet

The issues on offer in this year's Hugo packet didn't appeal to me at all, unfortunately. They were just all over the place, and dragged down by some seriously bad covers.

5) Castalia House Blog

Eh. This actually wasn't too bad, despite its association with a seriously nasty person and his publishing company. Enough so that I'm not putting it under No Award. But it doesn't have the quality of those ranked above it.

4) Nerds of a Feather, Flock Together

This fanzine runs along similar lines as other zines in this category: book, movie, game reviews. Joe Sherry seemed to write most of the better articles. However, there is a multitude of authors on this site, and they don't seem to have the unified vision and consistent tone that other sites offer.

3) Rocket Stack Rank

This fanzine is definitely for the mathematical and algorithm-inclined. It concentrates on short fiction, rating every single story in several magazines and anthologies published throughout the calendar year. The reviewers have well-thought-out standards and explain exactly what they're looking for. From what I've seen, the overwhelming majority of their ratings are three-star, or just "average," so when they mark a story as four or five-star, it makes the reader sit up and take notice.

2) SF Bluestocking

I have this fanzine in my RSS feed folder, and Bridget McKinney's Hugo packet well illustrates why: she's a thoughtful, incisive reviewer, with plenty to say about books as well as SFF TV shows. Her review of the best episode of The X-Files Season 10, "Mulder and Scully Meet the Were-Monster," is dead-on as regards both the characters and the show. She also does a great job of deconstructing some not-so-good Game of Thrones episodes. (I do love a snarky takedown, but an intelligent snarky takedown is a fairly rare thing, and that's what McKinney does here.)

1) Lady Business

I nominated this fanzine this year and last, and I really hope they get the rocket this time around. This is a fanzine of multiple authors, which can be a detriment if there isn't a strong unifying editorial theme. However, Lady Business, as its name indicates, has this strong editorial theme--looking at fandom through an incisive feminist lens. By doing so, what could have been, for instance, a fluffy article about the costumes in Star Wars turns into an interesting commentary on the female roles of the franchise.

The nominees for Best Semiprozine:

Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews

Cirsova Heroic Fantasy and Science Fiction Magazine, edited by P. Alexander

GigaNotoSaurus, edited by Rashida J. Smith

Strange Horizons, edited by Niall Harrison, Catherine Krahe, Vajra Chandrasekera, Vanessa Rose Phin, Li Chua, Aishwarya Subramanian, Tim Moore, Anaea Lay, and the Strange Horizons staff

Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, Julia Rios, and podcast produced by Erika Ensign & Steven Schapansky

The Book Smugglers, edited by Ana Grilo and Thea James

My ballot:

6) Cirsova

Cirsova harkens back to old-time pulp, or "heroic fantasy," magazines. It seems to be a good example of its genre, if you like that kind of thing. I don't, particularly.

5) Beneath Ceaseless Skies

This magazine (or at least the issue in the packet) only offers stories, not poems, reviews or articles. I find I prefer a magazine with the latter, as it seems more well-rounded. (That said, there are some good stories in this issue, the Kameron Hurley in particular.)

4) GigaNotoSaurus

This magazine is that rarest of beasts: a home for longer SFF stories. Rashida J. Smith picks some excellent stories, including "Brushwork," by Aliya Whiteley, one of my Best Novelette nominees this year.

3) Strange Horizons

Their offering in the Hugo packet is the delightful July 2016 issue, "Our Queer Planet," featuring the work of queer authors, poets and essayists. Standouts include the story "Her Sacred Spirit Soars," by S. Quioyi Lu, the column "Did You Mean A Romantic?" by Penny Stirling; and the poem "Sawa," by Karolina Fedyk.

2) Uncanny Magazine

Uncanny was the well-deserved Best Semiprozine winner last year. This year's quality is similar, but I think it's going to miss my #1 spot by a hair.

1) The Book Smugglers

Stories, reviews, snarky X-Men and Mary Sue articles: I really liked this magazine. It surprised me a little, as I would've thought nothing could beat out Uncanny; but this magazine managed to do it.

Next up: Best Novella

(I just checked to see the Hugo voting deadline is midnight Pacific [US] time Saturday July 15. I think I'm going to need every minute of it. Wish me luck.)

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hugos 2017

(Title quote from Art Spiegelman.)

These are the nominees for Best Graphic Story.

Black Panther, Volume 1: A Nation Under Our Feet, written by Ta-Nehisi Coates, illustrated by Brian Stelfreeze (Marvel)

Monstress, Volume 1: Awakening, written by Marjorie Liu, illustrated by Sana Takeda (Image)

Ms. Marvel, Volume 5: Super Famous, written by G. Willow Wilson, illustrated by Takeshi Miyazawa (Marvel)

Paper Girls, Volume 1, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image)

Saga, Volume 6, illustrated by Fiona Staples, written by Brian K. Vaughan, lettered by Fonografiks (Image)

The Vision, Volume 1: Little Worse Than A Man, written by Tom King, illustrated by Gabriel Hernandez Walta (Marvel)

I originally thought this category would be one of the easier ones, as I have already read four out of the six, nominated them, and own them to boot. Nope. I'm still going round and round with the top three, and which one ends up at #1 depends on the day of the week.

7) Saga, Volume 6

I know this is a minority opinion, but I do not like this comic. The Eight Deadly Words applies, and has every time I've tried to read it.

6) No Award

5) Black Panther, Vol. 1: A Nation Under Our Feet

This is an admirable beginning, but you can tell Ta-Nehisi Coates is a comics newbie. I would call this first volume essentially a learning curve. All the pieces are there, and the plot has been set in motion, but the whole thing is a little disjointed. I expect the story to improve in Volumes 2 and 3, which are patiently awaiting me atop Mount TBR. (Brian Stelfreeze's art is quite good, however.)

4) Paper Girls, Volume 1

This surprised the heck out of me. I liked it far more than I thought I would (enough to order Vol. 1-2, and preorder Vol. 3). It's a story of female bonding and sistas doin' it for themselves; a sci-fi time travel saga; an alternate-worlds kill-the-monster horror tale; and a mystery wrapped and tied with a pretty 80's pop-culture bow. (As evidenced by the werewolf wearing a Guns n'Roses t-shirt.) It ends on a cliffhanger, which is something of a downer, but Brian K. Vaughn is telling a far better story here, in my opinion, than Saga.

(These were the three easy choices. Now I start gnashing my teeth.)

3) Ms. Marvel, Vol. 5: Super Famous

Kamala Khan is just a sweetheart. I love her family, I love her interactions with her friends, I love her endless struggle between being a superhero and a normal teenager, and I love her screwing up because of it. I also love the fact that both G. Willow Wilson and her character are unapologetic Muslims, which takes a lot more courage now than it used to.

(Argh!! Flip coins. Draw straws. Close eyes and point.)

2) The Vision, Vol. 1: Little Worse Than a Man

This is actually the first half of a complete, self-contained story (and on my ballot, I nominated both Volumes 1 and 2). As the title (from The Merchant of Venice) indicates, this is a Shakespearean tragedy in graphic novel form. It's dark and sad and thoroughly adult, with (fortunately) a tiny glimmer of hope on the last page.

1) Monstress, Volume 1: Awakening

Sana Takeda's sublime art and Marjorie Liu's worldbuilding are what tipped this one to the top. (At least for today.) This would be a damn fine fantasy series in written form, with its magic, Lovecraftian feel and Egyptian tone, and centuries of history, discrimination and bloodshed (and talking cats with multiple tails), but the outstanding art gives Monstress the edge.

Next: Best Fanzine/Semiprozine

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"So the writer who breeds more words than he needs, is making a chore for the reader who reads." ~Dr. Seuss

The nominees for Best Editor, Short Form:

John Joseph Adams

Neil Clarke

Ellen Datlow

Jonathan Strahan

Lynne M. Thomas & Michael Damian Thomas

Sheila Williams

These are all legitimate nominees, thankfully. That will not be true in the next category.

My ballot:

6) Sheila Williams

Unfortunately, Sheila's sample in the packet--the Oct/Nov double issue of Asimov's Science Fiction--didn't particularly impress me.

5) Ellen Datlow

Ellen Datlow edits for Tor.com, as well as original and reprint horror anthologies. Unfortunately, the list she provided in the packet included several stories I'd read previously and didn't care for very much.

4) Neil Clarke

Neil Clarke edits Clarkesworld, which I support via its Patreon. His entry in the packet included the Clarkesworld 10th Anniversary Issue, along with a list of works edited in 2016, and works in anthologies/nominated for other awards/on the Locus Recommended Reading List. He picks some good stories, but I didn't like them as well as the top three.

3) Jonathan Strahan

Strahan edited one of my favorite novellas from last year, The Dream-Quest of Vellitt Boe. His listings in the packet also include The Best Science Fiction and Fantasy of the Year, Volume 10, which featured quite a few stories I've read and liked.

2) John Joseph Adams

I don't know when this man sleeps. He seems to have his fingers in just about every pie you can name. When I opened his folder in the Hugo packet, I nearly choked--there was five hundred pages of stories he edited for Lightspeed Magazine, as well as a list of twenty-nine anthologies he has edited or co-edited. (Several of which I already own.) Obviously I couldn't read all five hundred pages, but I recognized several stories I'd read previously and really liked. Sampling a few others confirmed that I like his editing style and choice of material.

1) Lynne M. Thomas/Michael Damian Thomas

The Thomases edit Uncanny Magazine, winner of last year's Hugo for Best Semiprozine. I subscribe to this magazine and know its quality well, but in going through their packet I was particularly impressed by their nonfiction articles. Their editing makes Uncanny a tremendous, well-rounded magazine.

The nominees for Best Editor, Long Form:

Vox Day (aka Theodore Beale)

Sheila Gilbert

Liz Gorinsky

Devi Pillai

Miriam Weinberg

Navah Wolfe

My ballot:

One name (can you guess who?) is going to be left off entirely. It's not only that he's an all-around nasty person--that is true, but it has nothing to do with his editing ability. (Such as it is, or rather isn't.) But everything edited by him I've ever read, including his own work, has pretty much melted my eyeballs with its sheer incompetence. (Also, as has been the case for the past two years, he used his "minions" to game himself onto the Hugo ballot. One would think he'd eventually get tired of finishing below No Award.)

I also must comment on the material included in the packet. Sheila Gilbert and Navah Wolfe included sample chapters from novels they edited, which gave a better basis for comparison as opposed to simple lists. Now, I realize copyright issues and/or publishing house policies may play into this. And goodness knows this year's Hugo packet has my computer bulging at the seams already. Nevertheless, this should be something for other nominated LF editors to consider in the future.

5) Miriam Weinberg

Same dilemma here as for Pillai (see next slot), with the only book of hers I've read I liked okay, but not in orbiting sock territory.

4) Devi Pillai

She edited one of the best books I read last year, N.K. Jemisin's The Obelisk Gate. I've heard good things about Lila Bowen's Wake of Vultures as well, but when you've only read one example of an editor's output (and you're swamped for time to read everything before the voting deadline as it is) that editor is bound to suffer in the final rankings. (hinthint *sample chapters* hinthint)

3) Liz Gorinsky

Gorinsky has the unenviable distinction of having edited two books I really didn't like, Cixin Liu's The Dark Forest and Death's End. I'm afraid that had I been in her shoes, I wouldn't have been able to stop myself from beating Mr. Liu over the head with his pages upon pages of infodumps. Still, I suppose she deserves credit for shaping the latter mess into something that could be nominated for a Hugo (even though I sure as hell am not voting for it) and win the Locus Award for Best SF Novel.

2) Sheila Gilbert

Sheila Gilbert has edited several of my favorite authors, including Jim Hines, Julie E. Czerneda, and Seanan McGuire. She's equally at home with lighthearted fantasy, space opera, and steampunk.

1) Navah Wolfe

I like Saga Press; they publish quality books that seem to fly a little under the radar. (This opinion is in large part due to their having published Kameron Hurley's The Stars Are Legion, a book I will rave about to anyone who asks, or doesn't ask.) Wolfe's samples reveal several books that seem right up my alley. (Looks at Mount TBR, teetering haphazardly next to the ceiling. Sighs. Clicks over to Amazon.)

Next up: Best Fan/Professional Artist

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hugos 2017

Now we've reached the Novelette category, defined as stories between 7500 and 17,500 words.

The nominees:

"Alien Stripper Boned From Behind By The T-Rex," by Stix Hiscock (self-published)

“The Art of Space Travel” by Nina Allan (Tor.com, July 2016)

“The Jewel and Her Lapidary” by Fran Wilde (Tor.com Publishing, May 2016)

“The Tomato Thief” by Ursula Vernon (Apex Magazine, January 2016)

“Touring with the Alien” by Carolyn Ives Gilman (Clarkesworld Magazine, April 2016)

“You’ll Surely Drown Here If You Stay” by Alyssa Wong (Uncanny Magazine, May 2016)

My ballot:

Let's get the ugly part out of the way first. The only reason there's an alien stripper, a T-Rex, and a lurid nastybone on the Hugo ballot is due to the petty spite of one Theodore Beale, aka Vox Day, who was thoroughly thrashed in an online altercation twelve years ago and has had a vengeful hard-on for John Scalzi, Patrick and Teresa Nielsen Hayden, and Tor Publishing ever since. He's tried to wreck the Hugos two years running, but due to new rules that took effect with this year's ballot, he's reduced to wanking out incoherent nonsense nominations like this one.

The one I feel sorry for (sort of) is Ms. Stix, who apparently doesn't realize she's being paraded around like a sacrificial goat for Mr Beale's ego. On the other hand, she could have turned down the nomination, so I can't find it in my heart to get too worked up over her inevitable loss.

We don't need to discuss the so-called "quality" of her story, do we? Yes, I did read it, just as I read John C. Wright's bovine excrement, and that's thirty more minutes of my life I need back. Suffice it to say that national treasure Chuck Tingle does this sort of thing far better, and has a niftier sense of humor to boot.

6) No Award

5) "The Art of Space Travel"

This is...okay. Not outstanding. It's the story of a daughter in search of her father, and her relationship with her mother, superimposed over what is essentially the background detail of the first manned Mars mission. The SF element is minimal. I suppose one could call this a "literary" SF story, but Ursula K Le Guin does it better.

4) "The Jewel and Her Lapidary"

This is quite a grim little story, of sentient gems that have power, of Lapidaries that wield and control their power, and who in their turn are bound to the Jewels, the rulers of the kingdom. The focus is on the last Jewel and Lapidary in the face of an invasion, and what each girl is willing to sacrifice for the other, and for their country. I liked it, but not as well as the top three.

3) "Touring With the Alien"

I nominated this. It's an extremely well written story, with some fascinating ideas about consciousness and self-awareness that remind me of the work of Peter Watts. The only drawback is the ending, and how much of a letdown that is depends on your point of view--if the main character is the betrayer of humanity, or not. The moral complexity of the ending is similar to the recent zombie film, "The Girl With All the Gifts" (which I thought was really good).

2) "The Tomato Thief"

My top two stories are both desert stories, Southwestern stories, full of myths and legends, and gods and death. This one is the quieter of the two, with the rhythms of folklore, which is Ursula Vernon's trademark. Grandma Harken, the hero of the Nebula-winning "Jackalope Wives," returns, and the search for whatever is stealing her tomatoes turns into something of an epic quest, with avian shapeshifters, folded realities, and train gods. The world is fascinating.

1) "You'll Surely Drown Here If You Stay"

I didn't care much for Alyssa Wong's previous story, but this one is firing on all cylinders. A large part of that is due to her skill in using a rather difficult POV--second person, present tense. (I've done it. It is not easy.) She creates an entire distinct character out of all those "you's," and I slipped into the skin of that character on her beautiful flowing prose. This is a bittersweet weird Western, with rattling bones and living deserts, and a young boy who sacrifices his humanity to give his dearest friend a chance for a good life. I thought "Wow" when I first read it, and I think that even more so now.

Next: Best Editors, Long and Short

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hugos 2017

To continue with my Hugo voting, here is my ballot for BDP-LF.

The nominees:

Arrival, screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve (21 Laps Entertainment/FilmNation Entertainment/Lava Bear Films)

Deadpool, screenplay by Rhett Reese & Paul Wernick, directed by Tim Miller (Twentieth Century Fox Film Corporation/Marvel Entertainment/Kinberg Genre/The Donners’ Company/TSG Entertainment)

Ghostbusters, screenplay by Katie Dippold & Paul Feig, directed by Paul Feig (Columbia Pictures/LStar Capital/Village Roadshow Pictures/Pascal Pictures/Feigco Entertainment/Ghostcorps/The Montecito Picture Company)

Hidden Figures, screenplay by Allison Schroeder and Theodore Melfi, directed by Theodore Melfi (Fox 2000 Pictures/Chernin Entertainment/Levantine Films/TSG Entertainment)

Rogue One, screenplay by Chris Weitz and Tony Gilroy, directed by Gareth Edwards (Lucasfilm/Allison Shearmur Productions/Black Hangar Studios/Stereo D/Walt Disney Pictures)

Stranger Things, Season One, created by the Duffer Brothers (21 Laps Entertainment/Monkey Massacre)

My rankings:

(Would that he had stayed there...)

7) Deadpool

Sometimes a snarky asshole is just a snarky asshole. I watched about fifteen minutes of this before I decided this one had no redeeming value.

6) No Award

(She should have been the real star.)

5) Ghostbusters

Laying aside the whole remake-ate-my-childhood kerfluffle, this was just...okay. I'm happy it got made, Holtzmann was awesome, and Chris Hemsworth stole the show with his end credits dancing. But it's not something I would buy and keep for repeat viewings (unlike, say, Wonder Woman).

(Hey, aren't you supposed to be blue, Felicity?)

4) Rogue One

This was a dark and gritty Star Wars tale, in the same ballpark as Empire if not the same rarefied air. That said, it was also a most egregious example of Smurfette Syndrome, and the more I think about it the more irritated I get. As much as I like Chirrut and Baze, there was no in-story reason for them to default to male. We could just as easily have had Chirruth and Bazi, or Bodhiya Rook. (I would keep Diego Luna, however, as he's cuter than a junebug.) Honestly, I can understand affirmative-action laws, as absent some stiff legal prodding (or public shame) Hollywood still reverts to the sausage-fest.

(The real stars, Winona Ryder notwithstanding.)

3) Stranger Things, Season One

I never played Dungeons and Dragons, but I remember the 80's, and I nominated this. Sometimes Netflix's series (looking at you, Luke Cage, and even the excellent Jessica Jones to a degree) sag and drag in the middle, but this series' eight-episode run is the perfect fit. Millie Bobby Brown is outstanding.

hidden figures real life women and stars

(I just realized two of the movie's characters are transposed in this photo. Dorothy Vaughan, played by Octavia Spencer, is the woman in green on the right, and Taraji P. Henson, in the center, portrayed Katherine Johnson.)

2) Hidden Figures

For me, the best moment from the 2017 Academy Awards was when they wheeled 94-year-old Katherine Johnson out on the stage. Can you imagine, living long enough to see a successful and Oscar-nominated film about your life (and the lives of two of your fellow black women at NASA)? Who would have thought that a story about calculations on a chalkboard could be so riveting?

arrival stars in orange suits holding whiteboard saying human

(It's a good thing this film was made before the election. Otherwise, we would've had the president* bleating out "Space Octopussy! Sad!" on Twitter.)

1) Arrival

If it had been any other year, Hidden Figures would have done it for me. But this is the year of Arrival, which has already won the Ray Bradbury Award for Outstanding Dramatic Presentation at the Nebulas. (Also, Amy Adams was simply cheated out of an Oscar nomination.) Not only is it based on one of the best SF stories ever written, Ted Chiang's "Story of Your Life," it does a very good job of translating that story's twisty concepts to the screen, in a manner that richly rewards a second viewing. It's a breath of fresh air to see a movie resolve its conflicts by talking, and understanding, rather than fighting.

(Also: Kee-ripes, Dreamwidth needs to be able to host images.)

Next up: Best Novelette

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hugos 2017

I'm on vacation through next week, and I intend to use my time to finalize my Hugo voting. (The deadline is July 15.) Let's start out with my ballot for Short Story.

The nominees:

"Our Talons Can Crush Galaxies," Brooke Bolander, Uncanny Magazine, November 2016

"That Game We Played During the War," Carrie Vaughn, Tor.com, March 2016

"An Unimaginable Light," John C. Wright, God, Robot, Castalia House

"A Fist of Permutations in Lightning and Wildflowers," Alyssa Wong, Tor.com, March 2016

"Seasons of Glass and Iron," Amal El-Mohtar, The Starlit Wood: New Fairy Tales, Saga Press

"The City Born Great," N.K. Jemisin, Tor.com, September 2016

My rankings:

Left off ballot entirely: "An Unimaginable Light"

This story is, to put it plainly, an abomination. It was a cliche-ridden, thesauri-exploding, poorly constructed, badly edited, stupid polemic mess. For an author who constantly decries "message fiction," the message (politically correct robots bad, humans good) is so in your face as to drown out what little qualifies it to be considered a "story." Ugh. After reading this, I need that fifteen minutes of my life back, along with a gallon of brain bleach.

6) No Award

5) "A Fist of Permutations in Lightning and Wildflowers"

I generally love Alyssa Wong's work, but this one didn't quite connect with me. It was beautifully written, but in the end it just felt hollow.

4) "That Game We Played During the War"

This is a thoughtful exploration of war and its aftermath, and what it means to win and lose, as expressed through a telepath and a non-telepath playing a game of chess. (Although if we're talking about games expressing the human condition, it would have been much more interesting if Vaughn had had the characters play bridge.)

3) "The City Born Great"

Last year's Best Novel winner, N.K. Jemisin, wrote this as what she calls a "proof of concept" (e.g., a trial run) for a new series. It's a modern fantasy wherein certain cities in the world gain their own sentient life, and this story details the birth of New York. It's good in and of itself, but the series based on it (which I've had the privilege to see a possible outline for, as one of her patrons) promises to be fantastic.

2) "Our Talons Can Crush Galaxies"

This is short, brutal, and unforgettable. The author obviously had in mind the Hamilton tagline: "Who lives, who dies, who tells your story." This story is for the forgotten, fridged women in so many tales, wrapped in a beautiful, shimmering, righteous fury.

1) "Seasons of Glass and Iron"

This story really spoke to me. It's a reconstructed fairy tale of female friendship and women saving each other, told with lovely, understated prose. As with all the best fairy tales, it says so much about modern life, about abuse and gaslighting and double standards, and the poison heaped upon beautiful people.

(I also wish the Hugos had a Best Anthology category. The Starlit Wood was one of the best anthologies I've read in years.)

Next up: Best Dramatic Presentation, Long Form.

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Red Headed Femme

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Entries tagged with hugos 2017

Hugo Voting: Best Fan/Semiprozine

Hugo Voting: Best Graphic Story (or, "Comics Are a Gateway Drug To Literacy")

Hugo Voting: Best Editor, Short/Long Form

Hugo Voting: Best Novelette (or, the Great, the Good and the Ugly)

Hugo Voting: Best Dramatic Presentation, Long Form (or, Hugo Goes To the Movies)

Hugo Voting: Short Stories

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